A year ago today, we lost an icon. Revisit Prince and his music in Matt Thorne's meticulously researched, almost encyclopedic biography of the Purple One. May this photo gallery ease the pain on the one-year anniversary of his death.
A year ago today, we lost an icon. Revisit Prince and his music in Matt Thorne's meticulously researched, almost encyclopedic biography of the Purple One. May this photo gallery ease the pain on the one-year anniversary of his death.
Passover and spring are both coming to a close, so take advantage of this Artichoke Confit and Fava Bean Salad recipe from Jewish Cooking for All Seasons before artichoke season is over!
When spring has finally sprung, baby artichokes appear in the market, and I’m quick to grab them. One of my favorite ways to prepare them is to confit them in extra-virgin olive oil, so they absorb the fruity oil flavor and aroma. A big plus to making the confit is that the artichokes keep for up to a week, unlike traditional boiled artichokes. The fava beans can be prepared several days ahead as well, so this salad is perfect for tossing together at the last minute. I always save the extra-flavorful confit olive oil. I use it to confit other vegetables, such as cipollini onions, shallots, fingerling potatoes, garlic, and tomatoes. It’s also wonderful whisked into vinaigrettes.
MAKE AHEAD/STORAGE The artichokes can be prepared up to 1 week ahead, the favas can be prepared up to 2 days ahead, and the confit olive oil keeps for several weeks, each stored separately, covered, in the refrigerator.
FOR THE CONFIT
1. Make the Confit Preheat the oven to 275°F. Cut the lemon in half, squeeze the juice into a medium bowl filled with water, and place the lemon in the water (this will keep the artichoke from discoloring).
2. Snap off the outer leaves at the base of an artichoke. Use a paring knife to trim off the green outer layer of the stem; try to leave the stem attached to the artichoke. Continue to peel off the outer layer of leaves from the artichoke using a paring knife or a vegetable peeler. Continue trimming until the inner leaves are half green and half yellow, then cut off the top half, leaving a cup-shaped artichoke. Scoop out the fuzzy choke in the center using a melon baller or small spoon. Drop the cleaned artichoke into the bowl of lemon water. Clean the remaining artichokes in the same manner.
3. Drain the artichokes and shake off any excess water. Place artichokes (or thawed artichoke bottoms, if using) in a shallow ovenproof casserole or small baking dish and add the garlic, thyme, and shallot. Pour in enough olive oil to completely cover the artichokes. Loosely cover the casserole with a piece of crumpled parchment paper, pressing it right onto the surface of the artichokes to keep them from popping out of the oil too much. Bake the artichokes until they are tender when pricked with a paring knife, about 30 minutes. Carefully transfer the artichokes, garlic, and shallot to a baking sheet to cool. Cool the olive oil.
4. Shell the fava beans. Bring a medium saucepan of salted water to a boil, and prepare a bowl of ice water with a strainer that fits inside the bowl. Cook the fava beans until tender, about 5 minutes, and drain them into the strainer. Immediately shock the favas by submerging the strainer in the ice water (see page 41 for more information on blanching and shocking vegetables). When favas have cooled completely, remove the strainer from the ice water and peel the transparent skin off the beans.
5. To make the salad, slice the artichokes in quarters and toss them with the fava beans, mint, parsley, 2 tablespoons of the reserved confit oil, the lemon juice, and salt and pepper to taste. If desired, chop the confit garlic and shallot and toss with the artichoke mixture. Serve on salad greens, chilled or at room temperature, sprinkled with additional salt and pepper to taste. Extra confit oil can be stored in a container with a tight-fitting lid and used for vinaigrettes or for sautés.
Spring has sprung! This recipe from The Seasons on Henry's Farm, a yearlong memoir-diary-cookbook that takes readers through each season of life on a sustainable farm, is the perfect dish for a new spring day. Enjoy!
Today, ramp hunters head into Illinois woodlands in late March and early April, before the trees even begin to bud, to gather this native plant for the first fresh greens of the season. Both the foliage and the bulbs, whether raw or cooked, can be used on pizza or sandwiches, in salads and soups, and in omelets, quiches, and other egg dishes. At the same time the ramps are coming into season, baby goats are being born, which means it’s also the start of the fresh chevre season. What better way to welcome the new season of earthly delights than with a ramp and goat cheese pasta?
1 pound linguine, spaghetti, or other pasta
15–20 fresh ramps, both stems and leaves
4 tablespoons olive oil
1 clove garlic, thinly sliced
¼ cup fresh chevre (or more, to taste)
Pecorino–Romano cheese, freshly grated, to taste
Olive oil (optional)
Put a large pot of salted water on to boil and begin cooking the pasta as directed.
Clean the ramps, removing the translucent husks over the bulbs (if they are freshly dug) and the roots. Slice the stems into ½- to 1-inch lengths, and coarsely chop the greens. Reserve the greens.
Heat the olive oil in a large sauté pan until just smoking, and then remove the pan from the flame. Add the ramp stems to the oil and toss them well, until they are coated with the oil.
Return the pan to the heat and sear the ramps until they are blistered, brown, and soft. Reduce the heat and add the garlic to the pan, tossing until it is toasted to a light brown.
Drain the pasta as soon as it is al dente, and then add it to the pan along with the ramp greens. Toss until the leaves are wilted. Stir in the chevre. Transfer to serving plates, and grate the fresh Pecorino–Romano over the top. Finish with a drizzle of olive oil, if desired.
Ah, pi(e) day. Upon us again. For one beautiful day a year, we cast aside our differences in celebration of two things that sound the same when spoken aloud: pie, a delicious baked dish with filling, and pi, a very long string of numbers. Different though they may seem—one a tasty treat; one the ratio of a circle’s circumference to its diameter—they have much in common.
One contains fruit, or meat, or veggies. The other contains an infinite string of randomly distributed numbers that never fall into a recurring decimal pattern. See what I mean? They’re not so different, pie and pi. Just like we’re not so different, you and I. We contain multitudes.
I didn’t care for pie until I was about 18 years old, at which time I discovered the magic of pumpkin pie. Since then I’ve demanded a birthday pumpkin pie from my mother—rather than a birthday cake—because I am a weirdo. I come by it honestly though—my dad (who does not bake) has told me on several occasions that he would like to open a pie shop called pi2 that would serve square pies.
I’ll take huckleberry pie over any other, given the chance. It comes off in ways that all good food should: tastily – a charming counterpoint of tart sweetness cutting against a savory flake; spiritually – a stirring reminder of home; narratively – a wild berry, not tamed but subdued within the confines of a buttery prison; and theologically – a divine complement to coffee.
I love pumpkin pie. I have always loved pumpkin pie. My mom used to make the pies for Thanksgiving the night before and leave them on the buffet in the dining room to cool. Once, when I was perhaps 5 or 6, I passed these pies and decided to take just a little taste of the pumpkin filling on my way by. I scooped a small dollop of the custard out with my finger, right by the crust. No one will notice that, right? It was really good. Just another little taste. So delicious. One more. I love pumpkin pie! But now there was a very visible hole in the pie. Hmm. They’ll notice that. Cover it up, somehow? That looks worse. Best to make it look like it’s supposed to be there. So I dug (and ate) a shallow trough in the filling all the way around, along the crust, like an empty moat. Oh, much better; looks intentional. (Which, of course, it was.) Next morning: WHO DID THIS? WHO DUG A TRENCH IN THE PUMPKIN PIE? I admitted nothing. The dog maybe? I think I saw my brother in dining room yesterday? I’m pretty sure they knew it was me. Despite the obvious fact that someone had repeatedly stuck their (undoubtedly unclean) fingers in the pie, we filled up the moat with whipped cream and ate it anyway. Because pumpkin pie! It’s so good.
Pie is good
Pie is fine
I hope you’ll have
Some pie of mine
I didn’t make a pie
I don’t know how to do that
Pen, highlighter, and Gelly Roll on Post-it
Like a luscious lemon meringue or a divine dutch apple, this piece has multiple layers that work together in perfect harmony to form something that is greater than the sum of its individual parts:
Generally, I am a fan of most kinds of pie.
I ate plenty of pie growing up—my mom baked a mean lemon meringue—but I always considered myself a cake guy first and foremost. Then I had the great good fortune to marry a passionate pie baker, and in the years since I’ve had the opportunity to enjoy a dazzling variety of delicious pies. I like all kinds of pie, but fruit pies rule, and my undisputed, unchallenged favorite is a sour cherry pie with a lattice crust. I love that the sour cherry season is only about three weeks long in the Midwest, which intensifies the sense of scarcity and specialness I identify with this pie. We’ve certainly frozen plenty of sour cherries over the years for later consumption, but there’s nothing like a still-warm pie after dinner featuring fresh sour cherries that were bought and pitted that day. Unless it’s having a slice of that same pie the following morning with a big cup of strong black coffee.
My favorite pies, all mom-made, include mixed berry, peach (with peaches from the backyard tree), and sour cream apple. My mom makes the crust with shortening, and while her pie crusts are always beautifully flaky and delicious, it’s the way she crimps the edges that makes them exceptional. I have studied her crust-crimping technique for years, and am still trying to perfect my own. I recently discovered a recipe for lemon pie with a crust of crushed saltine crackers. It is now one of my go-tos, and good for when I’m not feeling up to the crimping challenge.
My taste buds love pie much more than my stomach does. If possible, I would eat sweet pies every day—but alas, becoming an adult means giving up some of life’s sweet luxuries. My favorite pie? That’s a tough one, but I think I would have to go with pumpkin pie. I love it so much that I will only eat it once a year so as not to ruin it for myself: as Thanksgiving dessert. Although once every few years I can be convinced to indulge around Christmas time. Maybe every other year. Let’s be realistic, it’s every year. But still, only having my favorite pie twice a year? That’s some genuine self control right there!
I’ve always thought that food is the best way to show eternal love. So, naturally, a month before my high school crush’s birthday, I very casually asked the dude what his favorite dessert was. He looked a little confused (we pretty much never spoke to each other), but he said he guessed he liked cherry pie. My plan? Make him the best cherry pie he’d ever tasted to ensure that he would love me forever.
This was gonna be one sick pie, with a crust made from scratch, fresh cherries hand-pitted by yours truly, and a truly darling lattice topping. Once the pie was assembled, I knew it was my finest creation yet: those cherries positively gleamed in their lattice-topped crust. But perhaps the best part of all was that my mom had just gotten a new convection oven, which would bake my baby the way it deserved.
Spoiler alert! Don’t use convection ovens! Or at least reduce the temperature before you stick your little pie baby in there. After about fifteen minutes I checked my pie’s progress. Expecting to find a golden crust, maybe a few bubbling cherries, I cursed the gods who made me when I saw that the pie had been blackened by the oven’s merciless rays.
So what did I do? Well, I wasn’t going to let my love go to waste. So I wrapped up my pie in plastic bags and hid in an empty classroom at lunch time. When my crush walked by I called his name, said happy birthday, shoved the pie into his arms, and did a little jog-shuffle to get away. I’ve never made cherry pie again—but I do still use food to win eternal love.
For a good portion of my life, I don’t think I really understood that pies could contain things other than fruit. A chocolate pie? Who could imagine!? Had I been aware of non-fruit pies earlier, things would have been different, but alas. As a fairly picky eater myself, and the child of someone who often lies to waiters in restaurants to avoid any sort of fruit garnish or sauce coming into contact with an otherwise perfectly acceptable dessert, I was hesitant to indulge in pie at all. I had my first slice of pie—apple—when I was a preteen, and my life was forever changed. Apple pie remains my favorite, but I break with popular opinion regarding options a la mode. Pie served with ice cream ends up in a melty soup that makes the pie crust soggy, and that’s gross. Crust is the best part of pie, and it should be flaky, not soggy.
When someone mentions pie, I immediately think apple pie and my mind trails off to memories of apple picking in northern Illinois on a crisp September day. Hands down my favorite pie to buy is the brown bag apple pie from Long Grove Confectionery Co from the historic downtown Long Grove Apple Fest. It is the right amount of tart offset by the buttery crust and sweet cinnamon crumbles. It is baked in a brown bag that makes the top layer of crust extra crunchy. This pie is only available during apple season and I think that is what makes it a special tradition for our family.
One time . . . I thought I just might die,
When I sank my teeth into a cheddar cheese apple pie,
They go together like birds and the sky,
Cheddar cheese and apple pie.
You may find it odd and give it a sigh,
But your taste buds, my friend, they will not lie.
The cinnamon makes your heart soar,
And the gooey cheese and crumble galore.
All wrapped up in a buttery crust,
Try it, you must,
And you will find yourself asking:
Why hasn’t this ever been done before?
Can I please have seconds or more?
And your life will never be the same
You’ll ask for that pie by name.
I am telling you, my friend, and I would not lie,
Just try a piece of cheddar cheese and apple pie.
As a former member of the math community, pi has always been very close to my heart. In my experience, math people can’t get enough pie jokes. It’s great that on this happy day each year, language and math come together, because without either one—without both homophones and the first three digits of this weird number—I don’t know when we would designate a day to eat tons of pie.
Last February, Agate introduced Denene Millner Books, a line of childrens books within our Bolden imprint dedicated to telling the everyday stories of black children and families. This week we published its first offering: My Brown Baby: On the Joys and Challenges of Raising African American Children, a collection of essays from Denene's award-winning parenting blog of the same name. In celebration of the first book in the new line, here's a look back at how it all came to be. As Denene puts it, “This [line] is a love letter to children of color who deserve to see their beauty and humanity in the most remarkable form of entertainment on the planet: books.”
Denene Millner: So Doug, as we prepare to bring out our first books together: What initially interested you in adding a children’s book line to Agate’s broad range of imprints? And why take a chance on me, specifically, as your partner in this venture?
Doug Seibold: This is something I’m always thinking about—sensible ways to grow Agate and do worthwhile things. I’d first become interested in publishing books for young readers about five years ago, when it was looking like the rise of ebooks might substantially alter the whole book world. I thought that books for kids—always one of the strongest categories in publishing, if not the strongest—could be a hedge against a rapid and massive shift to digital. I didn’t see picture books, in particular, going away anytime soon. But I couldn’t figure out a good way to integrate this into our existing business—until I realized something that should have been obvious from the beginning, which was that it would be a natural complement to our existing Bolden imprint. If Bolden has a mission, beyond publishing great writing, it’s to provide stories illustrating the diversity of African American life. Extending that to books for young readers just made sense.
And as far as working with you goes—what “chance”? I’m just thankful I got to meet you via my work with your husband, Nick Chiles, when Agate published his book Justice While Black. As I got to know more about you and your work, I couldn’t believe how well your expertise and sensibility fit with what I’d envisioned. And as I got to know you better personally over the time we spent putting this project together, I really got an appreciation what a great partner you’d be. But what got you interested in doing this?
Denene: I’ve always loved children’s books—the illustrations, the color, the whimsy, the beauty of the stories. As a child, though, the numbers of books that featured kids who looked like me seemed nonexistent. The same was still true when I had my first child in 1999; there were a few black children’s books, but not nearly enough to fill the library I’d planned for my baby. It was a gift from a dear friend of mine—The Snowy Day by Ezra Jack Keats—that inspired me to make it a personal mission to collect books that speak to the human experience of African American children, beyond the typical subjects saddled on them, like the civil rights movement, slavery, and the lives of sports and music icons. Don’t get me wrong: I love those kinds of books, too. Our history deserves an airing with children. But so, too, does the everyday beauty of being a little human of color. Black children believe in the tooth fairy, get scared when they contemplate their first ride on the school bus, look for dragons in their closets, have best friends who get into mischief with them; in other words, they have the same universal childhood experiences that any other human revels in as a kid. Black children deserve to see themselves reflected in those kinds of stories. Denene Millner Books aims to add to that small but important canon. I have a lot of favorites, but if I had to mention only a few, they would be: Faith Ringgold’s Tar Beach, Debbie Allen’s Dancing in the Wings, bell hooks’s Homemade Love, Jacqueline Woodson’s We Had a Picnic This Sunday Past, Patricia McKissack’s Precious and the Boo Hag, and Derrick Barnes’s Ruby and the Booker Boys series.
From your vantage point as a publisher, what made this particular moment in time ripe for Denene Millner Books?
Doug: Meeting you was really what catalyzed something I’d been trying to figure out for a few years. I think it was a good time for Agate in terms of my desire to expand the company and a good time for you in terms of your interest in expanding the breadth of your already hugely successful career as an editor and writer. I feel like I had a good idea, and you responded eagerly and intuitively to what it would take to make it a reality. For my part, I’ve always felt the value of the kinds of books Agate publishes through Bolden is self-evident. But not long after we started working on it (just to show how great the need was for what we’re doing), the We Need Diverse Books movement just exploded into greater prominence. By now, I think everyone in the book world is more aware of why this moment is ripe. It’s certainly calling on the full scope of your own abilities.
Denene: Whoo boy: it’s something else to wear both hats! I worked for some time as a magazine editor before dedicating my writing exclusively to books, so I’m familiar with what it takes to be both a writer and an editor. But being an author and a book editor is something else entirely. I can’t say that I was ready for all of the responsibility that comes with being an editor: acquiring projects, negotiating contracts, doing profit and loss analysis, putting together marketing and publicity campaigns. Being a book editor isn’t just about . . . editing. I raise my hand and admit, finally, that simply writing the book and handing it in is a lot easier. But working on this side of the business is exhilarating. It’s stretching me creatively in a different way, and for that, I’m grateful. I’m most proud of the fact that my work as an editor is opening the door for African American authors and illustrators whose work deserves to be seen. And these days, I kinda live for our regular Friday talks about the business; in the two years since we met, and the year we’ve been working on the new line, I’ve learned so much from you. Why do you think our relationship works?
Doug: For starters, we probably have a lot more in common than most outside observers would think. To the world, you are the social-media postin’, selfie-shootin’, highly prolific and highly engaging persona behind not just MyBrownBaby.com—and your new inaugural title in the Denene Millner Books line based on the blog—but also dozens of bestsellers across multiple genres. You are a very public person; by contrast, I am a 100-percent behind-the-scenes kind of guy, and even if you do penetrate my wall of bland, you will find that I might be the straightest white man in America. Our differences are obvious. But we were born only a few years apart, both had religious upbringings, and both grew up on Long Island less than 20 miles away from each other. Both of us have been married once, both have two kids (and love being parents), and both have had careers that saw us jumping among a variety of different roles in publishing and writing. I think we respect each other first and foremost, but we like each other, too. The latter is great, of course, but I think it’s the former—and the deep trust that’s come with it— that’s really what allowed us to make this project flourish. We both care an enormous amount about what we do, we both believe in the tremendous value of bringing these kinds of books to the reading public, and we both are having a great time doing so.
We have a good thing going here, I think. Agate has no board, no investors, no corporate parents; it’s just me stopping the buck here, and we were able to set up this venture in a way that gives you maximum freedom. This allows us the opportunity to have complete control over what we want to do, as partners. I think it’s already working in terms of the great projects we have in the hopper for 2017—I hope it works in terms of finding a big audience of readers, too. What are your plans for how to reach that big audience of readers for Denene Millner Books?
Denene: I know that there is a readership of black parents and parents of children of color that is thirsty for titles like those Denene Millner Books has to offer. I meet them every day on MyBrownBaby.com and across the vast MyBrownBaby social media footprint. I’m counting on them to represent by supporting the stellar works we are producing. I’ve planned an extensive email campaign with updates on the books’ progress, and will communicate the same on MyBrownBaby’s social media channels. A few of the offerings are also natural fits for audiences in venues that are important to black folk: churches, barbershops, black parenting organizations, and the like. I’m also prepared to get down and dirty and do hand-to-hand combat, bringing our Denene Millner Books authors and illustrators directly to the people—the children who I know will love them and want to engage the art. I’m rolling up my sleeves and trusting that the audience I love so very much will dig in with me. In the meantime, as we prepare the first of our books for young readers to appear later this spring, I’m grateful that you recognized the jewels that make up My Brown Baby. Why’d you put your money behind this project, and what do you think will make this book a standout in the parenting space?
Doug: The fact that you wrote it, first and foremost, and that your strong and singular voice comes through on every page. I think it’s a terrific introduction to the entire Denene Millner Books project because, in essence, it establishes your bonafides as a parent and literary sensibility in one very readable package. And I think readers will agree.
Many Chicagoans (and Chicagolandians, and Illinoisians) have the day off today to celebrate the life of Polish-born Revolutionary War hero Casimir Pulaski. WBEZ has the history of the holiday here, and we have have the perfect recipe from Holiday Cookies here:
Grandma Hazucha’s Kolacky with Walnut Filling
Julie Hazucha Westbrook received an honorable mention for these cookies in 2012. She said both parts of the recipe can be halved.
Yield: 100 cookies
1 hour, 10 minutes
Chill time: Overnight
Bake time: 12 to 15 minutes per batch
1. Place butter and cream cheese in a large mixing bowl. Cut butter into pieces; break up cream cheese. Add dry ingredients; work mixture with hands until dough is the size of peas. Add egg yolks; knead with hands again until well-blended. Divide dough into 5 pieces, wrap in wax paper and refrigerate overnight.
2. Heat oven to 350 degrees. To roll out dough, remove 2 portions from the refrigerator. Let soften, about 15 minutes. Open 1 package on a floured board; roll out with floured rolling pin very thin, about 1/8 inch. With pastry wheel, cut 2-inch rows across the dough; then cut diagonally across the rows to make slight diamond shapes, about 2 inches wide. Put pastry diamonds on ungreased cookie sheets.
3. Meanwhile, for walnut filling, slowly warm milk and butter in a medium saucepan over low heat, stirring frequently, until butter melts. Stir in sugar. Remove from heat; stir in walnuts and vanilla.
4. Put rounded 1/2 teaspoon walnut filling on each diamond. Fold over 2 opposite corners; to seal, wet inside of corners with a fingertip dipped in cold water; pinch corners together firmly so they do not open during baking. Bake until lightly browned, 12 to 15 minutes. Remove from cookie sheet; cool on a rack. Sprinkle with confectioners’ sugar.
5. As the first bundle of dough is finished, take out another bundle to soften while the second bundle is being rolled out. Repeat until all bundles are used.
It’s been nearly two years since we celebrated the release of Passion for Pizza: A Journey Through Thick and Thin to Find the Pizza Elite. At the time, we solicited staff opinions on the dish as part of a modest series of reflections by Agate staff on the topics of new Agate releases; much has changed since then. We have a new president. Beyoncé is having twins. The Cubs won the World Series. We published 48 more books. We have better pictures of Pluto than ever before. Amid all this change, one thing remains largely the same: pizza. We still have pizza, and it is still very good. Let’s look back on these opinions and celebrate our differences, for it is our differences that make us great. No matter our preferred styles—be it deep dish, be it thin crust, be it personal pan—we must remember that we are united in a common goal: to eat some more pizza, and hopefully, to eat it soon.
With that, here are Agate’s reflections on pizza from March 2015:
--"I make my own, usually, with my own pasta sauce as the base, dough made from a blend of mostly atta but also bread flour, and with buffalo mozzarella, fresh basil, and either pulled pork (if we have any left over from a previous meal) or prosciutto as the toppings. The only brand of frozen pizza I buy is Paul Newman. The extra thin multigrain crust is excellent; our favorite is the margherita. If we eat pizza out, it's always Giordano's stuffed with spinach. It's not really pizza, per se, but it's the best."
--"Oh, you know I'm a pizza curmudgeon. I could spout off about this topic in my sleep. Even after 10 years of Midwest living, I flinch whenever "deep dish" and "pizza" are used together. Deep dish is not pizza. It is casserole. And don't even get me started on how they cut thin-crust pizza here into squares. [I like a] thin, floury crust that's crispy outside and soft inside—the idea is that it should provide a solid base yet be receptive to being folded in half, lengthwise. Tangy sauce, but not too much of it. Enough mozzarella to cover it but not so much that it's a gooey mess. Cut into slices. Heaven. All-time faves are Joe's in NYC and Salvatore's in Allentown, PA."
--"Deep dish all around. My fav? Lou Malnati’s—butter crust, sausage pieces (NO wheel please), and pepperoni. On the other hand, one pizza lover in this house favors Gino’s East, wheel/patty of sausage and extra sauce, while the other prefers a classic Giordano’s deep with cheese only. We have been known to bring back one of each from Chicago on many occasions. Thank god for the half-baked option."
--"My favorite pizza includes margherita toppings on sourdough thin crust, cooked in a brick oven. I prefer pizza that doesn't use any canned tomatoes and includes only the freshest basil—tons of it! After living in Europe, and in Chicago where deep-dish reigns supreme, I've come to find the simplest pizzas with the freshest ingredients are the best. My favorite pizza restaurant has to be, hands down, Biga Pizza in Missoula, MT. The pizzas are seasonal and the specials change regularly. Each pizza is made fresh to order and once they run out, they're out! The place is small and always has a line."
--"For years, probably into my early thirties, I would have told you that the best meal I ever ate was a large slice of pepperoni pizza washed down with a Dr. Pepper, which was presented to me one summer evening when I was ten years old and which I consumed outdoors. The town I grew up in on the East Coast didn’t have terrific pizza, but I certainly consumed lots of it, especially after late nights out with my friends. After moving to Chicago, I embraced deep-dish and stuffed pizza—I believe there’s good pizza and the other kind, to paraphrase Duke Ellington’s judgment regarding music. There’s great thin-crust, deep-dish, neo-Neopolitan, cracker-crust pizza all over, but unfortunately there’s also plenty of terrible renditions of same. I believe that it’s important to understand pizza as bread with stuff on top of it. Whatever kind of crust you’re using, if it’s not good, it’s hard for the pizza to overcome that. Favorites: Lou Malnati's for deep dish, John's on Bleecker for the traditional."
--"To me, a pizza can be thin crust or thick (or deep dish, which I also love), but it's not pizza without mushrooms. There is just something about the flavor and texture of high-heat-roasted mushrooms that makes pizza, well, pizza to me. My favorite deep dish is Gino's East, but that's probably simply because that was my first, real Chicago deep-dish pizza. I still love deep dish, and my favorite is mushroom, spinach, tomato and garlic from Lou Malnati's. After going vegetarian in the late '90s, and for a while, dairy-free, I've also branched out into more non-traditional pizza. One of my favorites is the super-thin crust pizza at Bluestone in Evanston, with pesto, goat cheese, mushrooms (of course), garlic, and basil. I once asked how they got their crusts so thin and crispy, and it turns out they use flour tortillas instead of pizza dough! It changed how I make pizza at home forever. If I want thin crust, I've found the best way to cook it at home is to use flour tortillas, brushed with some olive oil, tossed on the grill until they are firm and crispy. Then top with whatever you want and grill again to warm the toppings through. It's amazing (and SO easy)."
--"I make my own pizza on a fairly regular basis using a variety of ingredients: San Marzano tomatoes, sweet Italian turkey sausage, fresh baby bella mushrooms, provolone, and mozzarella cooked in the oven is the standby for me. I go for a white pizza with a mushroom bechamel sauce, fresh mushrooms from the farmer's market, white truffle oil, and parmesan cheese cooked on my grill when I am feeling ambitious or when it is a nice day. The grill imparts an amazing smoky flavor to the bechamel sauce and a nice crispy crust. I tend to seek out authentic Neapolitan pizza or Chicago-style deep dish when I go out, but nothing beats the pizza of my childhood. Someguy's Pizza in Indianapolis, IN has my favorite pizza of all time. It is cooked in a wood-fired oven and uses the best mix of cheeses that I have ever tasted on a pizza. I always go for my standard (some would call it boring) childhood pizza consisting only of the fresh wood-oven cooked sausage and cheese. It immediately sends me back to my childhood every time I visit and take a bite. I tend to eat my pizza in a fairly non-traditional way. I typically cut the crust off of the pizza first and eat it before I start on the main portion of the pizza slice. I think this goes back to my childhood mantra of 'always saving the best for last.'"
--"Pizza is best when it's circular, simple, and spinached. Its procurement should spring from spontaneous circumstances dictating the need for unassuming and filling sustenance—pizza should never be a planned meal. Its consumption should be effected—always—with the cutlery that distinguishes gentleperson from oaf."
--"This may be shocking, but as a child I didn't like pizza. I thought it was greasy and rubbery, and pepperoni weirded me out. That and pizza's association with the Teenage Mutant Ninja Turtles, who scared me at the time, combined to create an impression of it being a non-food. Then my family got into grilling pizza outdoors during the summer on the barbecue. My dad was into buying fresh dough (pulled into random shapes—not circular) and using fresh garlic and tomato slices instead of canned sauce. It was SO GOOD--super smokey and melty. And thus, I became a pizza snob."
--"I have many fond childhood memories of celebrating my birthday at Chuck E. Cheese's, hopped up on pizza and video games. My tastes became more refined with age, and as a family we began ordering from purveyors by the names of Edwardo and Malnati. Of all my favorite pizzas, however, I think the one with which I have the most deep-seated personal connection is of the frozen variety. There are few things that remind me more of home, or of late nights spent hanging out with my brother, than popping a Home Run Inn "froze peez" into the oven. My brother and I have been accused by friends of having an unhealthy loyalty to this Chicago brand, an accusation that reliably spurs heated knee-jerk defenses from both of us. Several years ago, my mother thought she would be creating a warm family memory by taking her sons to the original Home Run Inn pizzeria on 31st Street before a White Sox game. Though the pizza was satisfactory, the consensus was that it did not compare to the kind in the grocery aisle that came in the box. Maybe with its ubiquity and variety across the country, pizza has as much to do with sense memory as it does taste. It's a food as much about where you are and who you're with as it is about shape, style, and toppings."
--"Who am I to say what is and is not good pizza? Who died and left me in charge? No one. How I feel is this: All pizza = good pizza and any pizza > no pizza. Would you rather eat a piece of pizza out of the garbage, or nothing? The pizza one. To burn the roof of my mouth on a piping hot piece of pizza is to live. So seize the day, I say. Embrace the pizza—all pizza. I can't change the direction of the wind, but can I adjust my sails to reach my destination? You bet. And my destination? It's that piece of pizza over there. It's on the floor, sure, but it looks good, and will I eat it? I will."
The celebrated Leonard Pitts, Jr., longtime Agate author and Pulitzer Prize-winning columnist, has offered us this brief essay about how Grant Park, his 2015 novel recently released in paperback, bears on the end of the Obama Presidency and what looms ahead.
My novel Grant Park ends with a beginning.
The narrative of race, rage, and recrimination has reached its denouement. The characters have contended with kidnapping, assassination, and long-lost love and have met their respective fates. And then, they find themselves faced with the astonishing fact that Barack Obama has won the election of 2008, ushering in a presidency that, in the eyes of one character, will pave the way for a new America, transformed and post-racial.
“All that old racial stuff,” he says, “we’re moving past that. “These next four years, you’ll see. It'll be different from now on. We just elected a black president. You can't tell me that doesn't mean people are finally getting over all this stuff.”
I hope the average reader found that speech as sweetly naïve as I meant it to be. I hope it made her ponder America’s stubborn insistence upon deluding itself where racism is involved, its determination to believe this cancer of the human spirit can be excised in some singular, dramatic moment of progress after which we can finally declare ourselves well.
It doesn't work that way, of course. It never has.
“I'm an old cat,” the historian Lerone Bennett, Jr. told me not long after Obama’s inauguration. By which he meant that he's seen this before.
“In assessing the Magic Obama phenomena,'' said Bennett, who was born in 1928, “I think we've got to remember the [other] times history turned on a dime and racism was solved forever. This is not the first time. Can we make that clear to people? This is not the first time the race problem has `ended' in America.''
He's right, of course. As Bennett reminded me, it first ended in 1865 when the slaves were set free. It ended in 1868 when the Fourteenth Amendment was ratified, and in 1870 when the Fifteenth Amendment was ratified. It ended in 1954, when the Supreme Court shot down “separate but equal” schools. It ended in 1964 with the Civil Rights Act. It ended again the next year with the Voting Rights Act.
And it ended on that Tuesday in November of 2008 when the son of a white Kansan and a black Kenyan became the president-elect of the United States.
Except, obviously, that it did not.
If that was a painfully self-evident truth when Grant Park was released in 2015 after years of racially-charged invective aimed at Obama and his family, it is even more so as the nation prepares for Obama’s successor.
The new president brings to office a record you would think only a Klansman could love: he’s been sued twice by the federal government for housing discrimination; he once objected to the hiring of a black accountant, saying he wanted only “short guys that wear yarmulkes” counting his money; he has called laziness “a trait in blacks;” he continues to insist upon the guilt of five black and brown men wrongly convicted in the Central Park jogger rape case even after DNA testing long ago proved their innocence; he spent years seeking to delegitimize President Obama by questioning whether he was born in this country; he described undocumented Mexican immigrants as rapists and drug dealers; he declared a U.S.-born judge unfit to preside over a case because of his Mexican heritage; he re-tweeted racist and anti-Semitic graphics from white supremacist organizations.
And yet, 62,979,879 American voters saw no reason any of that should bar him from the White House. Some percentage of that total doubtless represents people like the white meth-head who is one of my villains, people whose futures have always been circumscribed by their own poverty and ignorance, but who now find themselves having to live with the added indignity of seeing their perceived inferiors—like Obama—climb to unprecedented new heights. But what is more troubling are the millions of Americans who don’t fit that easy caricature, those with some education, some money in the bank, some hope for the future, who nevertheless voted for this guy, self-defined “good” people who saw his bigoted behaviors, yet were not offended enough to deny him their support.
Taken together, it all represents a repudiation of racial amity to a degree and with a force that would have seemed unthinkable that night when Barack Obama stood before a rainbow coalition in Grant Park and declared that, “Change has come to America.” One is reminded once again to be wary of moments when racism “ends” in a sudden thunderclap of progress.
And I keep thinking of my poor character, banged up both physically and emotionally by all the tortures I have put him through, yet still leaning toward the belief that this time, finally, we have gotten it right. The reader, knowing the things that came afterward—“You lie!” and “subhuman mongrel” and the birther movement—is supposed to find that character’s certainty bittersweet.
But this week, the nation's first African-American president will be succeeded by a white supremacist. And it strikes me that this moment in my novel was more bittersweet than even I could have known.
1,001 Best Hot and Spicy Recipes by Dave DeWitt was reviewed in the Wisconsin Bookwatch, a monthly book review magazine published by the Midwest Book Review for librarians, booksellers, and the reading public. The piece gives some background on DeWitt, aka "the Pope of Peppers," and called the book “the most comprehensive and exhaustive culinary resource for planning memorable meals of hot and spicy dishes.”
TalkMediaNews wrote an article about Leonard Pitts Jr.’s discussion of the 2016 presidential election. It included quotes from a column he’d written on the topic, as well as mentioning his novel, Grant Park, which was recently chosen as the One Book, One Community selection for Richland County, South Carolina. Free Times, a daily newspaper serving the Columbia, SC, community said in a feature "Grant Park is a great selection. . . . Pitts is a familiar name who has a reputation for writing thoughtfully in a plainspoken style, making his writing widely accessible even as he tackles fraught topics with complexity and imagination”
In the weeks since Donald Trump's surprise victory in the presidential election, the world has questioned what is to come. Americans, regardless of political leaning, wonder what sort of leader the new president elect will be. Considering that he has no political experience, has provided little transparency for how he conducts his business, and has flip-flopped on many issues after the election and during his campaign, no one seems to know the answer. Perhaps looking back at some of the philosophies that shaped the PEOTUS's approach to business will shed some light on the issue. Mr. Trump called Opportunity Knocking: Lessons from Business Leaders by Lori Ann LaRocco, published by Agate B2 Books in 2014, “a must-read filled with big ideas from some of the best in business.” He went on to say “LaRocco breaks down the steps to achieving success with a unique and actionable strategy. Compelling.” Can the business strategies housed within LaRocco's book give us a primer for what to expect starting January 20, 2017? Anything is possible.
Yesterday—which was, of course, Cyber Monday—I learned that the first item ever sold on Amazon, and one of the first ever items ever sold on the Internet, was a book! This really shouldn’t have been surprised me as much as it did, considering that around 806 million books were sold online in 2015, and that Amazon largely built its diverse online retail business on the foundation of bookselling. The Atlantic has a fascinating look at the actual copy of the book, a hardback edition of Fluid Concepts And Creative Analogies: Computer Models Of The Fundamental Mechanisms Of Thought by Douglas Hofstadter. The man who purchased it, John Wainwright, even kept the original packing slip! Agate sells a fair amount of books online, of course, either through sites like Amazon, or through our own website. One important feature of our online business is that we produce eBook editions of all of our titles and release them at the same time as their print edition counterparts. We have a list of all of our eBook titles on our website, if you are interested in checking them out!
We focus a lot on Chicago and the Midwest here at Agate, especially via our Midway imprint but we thought that on this perfect autumn day we should look east and feature a delicious seasonal recipe from another part of the country. The Official New York State Apple Muffin recipe was created to honor the apple, the official state fruit of New York, and make for either a great breakfast or a dessert. Here is a spin on it taken from The Fly Creek Cider Mill Cookbook, out now from Agate Surrey.
Makes 24 muffins
For the Topping:
1. Preheat oven to 375 degrees
2. Line 2 12-cup, large muffin tins with paper liners. Set aside
3. Combine the flour with the brown and granulated sugars, baking soda, cinnamon, cloves, salt, and nutmeg in a medium mixing bowl. Stir to blend completely. Set aside
4. Combine the apples with the raisins and walnuts in another medium mixing bowl. Stir in the eggs, cream cheese, melted butter, and vanilla. When blending, begin adding the dry ingredients, a little at a time, stirring until just combined. Do not overmix.
5. Prepare the topping. Combine the brown sugar with the flour and cinnamon in a small mixing bowl, stirring to blend. Stir in the walnuts and orange zest and, when blended, stir in the melted butter.
6. Spoon and equal portion of the batter into the prepared muffin cups. Sprinkle an equal portion of the topping over each filled cup. Place in the over and bake for 25 minutes, or until a cake tester inserted into the center of a couple of the muffins comes out clean.
7. Remove from the oven and transfer to a wire rack to cool.
8. When cool, store, tightly covered, at room temperature for up to 2 days.
Yvonne Maffei was featured on Eat. Drink. Pure., a blog about healthy Islamic living, where they mentioned her recent “What’s Really in Our Food?” Facebook Live chat series and gave a review of her cookbook My Halal Kitchen
My Halal Kitchen was also reviewed by Dawn, an English-language daily newspaper in Pakistan. The review included some nice photos and excerpts from the book.
The Chicago Tribune Holiday Cookie Contest has begun! The newspaper will be featuring recipes from past winners that have been published in their cookbook Holiday Cookies throughout the contest. “Grandma Grump's peanut butter drizzles,” a winner from 2006, is the first cookie in the spotlight.
Chris Arnold, the award-winning Chicago-based artist and author of Agate’s first foray into adult coloring books, The Chicago Coloring Book, was recently interviewed by the Chicago Sun-Times. He spoke about his creative process when making something so unique, and the adult coloring book phenomenon as a whole. The article went on to interview others who use the books, whether for therapeutic and meditative purposes, or just to have some fun. One of the most interesting things that we at Agate have noticed about these adult coloring books is the warm online community that users have created by posting their finished drawings online and sharing tips about new materials and coloring techniques. We would love to see the drawings that people create with their copies of The Chicago Coloring Book and urge anyone who wants to share their work online to tag it with #ChicagoColoringBook so that it’s easy to find!
Recently the Chicago Reader published a piece about Much Ado, Michael Lenehan’s new book about a 2014 production of Shakespeare’s Much Ado about Nothing mounted by the American Players Theatre in Spring Green, Wisconsin. The article highlighted one section of the book in particular, which addresses how Beatrice delivers her famous “Kill Claudio” line. We thought we should excerpt the whole section for you now, as a preview of the book.
The scene continues:
Benedick: I do love nothing in the world so well as you. Is not that strange?
Beatrice: As strange as the thing I know not. It were as possible for me to say I loved nothing so well as you, but believe me not, and yet I lie not. I confess nothing nor I deny nothing. I am sorry for my cousin.
Benedick: By my sword, Beatrice, thou lovest me.
Beatrice: Do not swear and eat it.
Benedick: I will swear by it that you love me, and I will make him eat it that says I love not you.
Beatrice: Will you not eat your word?
Benedick: With no sauce that can be devised to it. I protest I love thee.
Beatrice: Why, then, God forgive me.
Benedick: What offence, sweet Beatrice?
Beatrice: You have stayed me in a happy hour. I was about to protest I loved you.
Benedick: And do it with all thy heart.
Beatrice: I love you with so much of my heart that none is left to protest.
Benedick: Come, bid me do any thing for thee.
Beatrice: Kill Claudio.
We can’t know for sure, because we have almost nothing in Shakespeare’s own hand, but he seems to have written very little in the way of stage directions. He had no use for them: he was writing for performance, not posterity, and as the plays were developed he was there to tell the actors whatever he wanted them to know. The Folio texts, which were assembled by Shakespeare’s colleagues after his death, are marred by errors and inconsistencies and give only the most rudimentary directions—exits and entrances, mostly, and not nearly all the exits and entrances that the lines imply. In many cases (as we saw back in the act 2 dance), scholars and editors have had to interpolate the comings and goings, as well as such directions as “aside” or “To Hero.” Even then it’s sometimes impossible to know which character or characters are supposed to be hearing a line. Or, to put it another way, it’s up to directors and actors to decide which character a line is addressed to—and how and when and whether to walk upstage, stand or sit down, pick up a prop, fall silent, shout, kiss, or crash to the floor. This is one reason for Shakespeare’s enduring appeal: so much is amenable to interpretation and renewal.
“Kill Claudio” is a case in point. All Shakespeare gives us is these two words—one of the most important lines in the play. Four hundred years later, the question is not so much how should it be played? as how do you want to play it?
David Frank and the actors wanted to play it serious. And yet they knew the audience would probably find it hilarious. Colleen Madden, who had done the play twice before in smaller roles, said she never understood it as a laugh line. But David Daniel, who had done it at least three times, said the audience never fails to laugh. Frank admitted he laughed himself whenever he heard it, though mostly from surprise, and he never found the reaction very satisfying. At one point he asked hopefully, “We will—yes?—kill the most famous laugh line in the play?” It was wishful thinking, but a goal worth working toward. Much Ado always was and always would be full of laughs, Frank knew, but he saw more to it than that, and he wanted to play it all.
Modern audiences don’t readily grasp the implications of the line the way Shakespeare’s contemporaries would have. Claudio, Benedick’s best buddy, has slandered Beatrice’s blood relative. Hero must be avenged. It’s Sicily, after all. To exact the vengeance is not a woman’s choice, and this enrages Beatrice: “O God that I were a man!” she cries. “I would eat his heart in the market place.” But where’s the man to do it for her? Her uncle Leonato is no help; a few minutes ago he was threatening to thrash his own daughter. If only Beatrice had a brother to fight for her. Or a husband. Or a fiancé.
Or a man who professes to love her.
She grills Benedick to assess the depth of his commitment. “Will you not eat your word?” And when he swears he won’t, she says “Why, then, God forgive me.” Why does she say that? And what does she mean by, “You have stayed me in a happy hour?” These questions were discussed in the rehearsal room, but I never had the sense that they were answered conclusively. My reading is that Beatrice is deliberately luring Benedick into a commitment whose implications are not yet clear to him. It’s not that professing his love has made the hour happy for her; it’s that the profession has come at just the right hour: just when she needs it. She needs someone to kill Claudio. Really.
Benedick, who has just invited her to “bid me do anything for thee,” didn’t really mean it. He recoils immediately, and the couple have their first argument. Like many arguing couples, they talk about two different things: Beatrice rails against the injustice done to her cousin, while Benedick keeps insisting that he loves her—what could be more important than that? Finally, even as she tries to pull herself away from this disappointing oaf, Beatrice makes her point:
Benedick: Tarry, good Beatrice. By this hand, I love thee.
Beatrice: Use it for my love some other way than swearing by it.
Benedick: Think you in your soul the Count Claudio hath wronged Hero?
Beatrice: Yea, as sure as I have a thought or a soul.
Benedick: Enough, I am engaged, I will challenge him. I will kiss your hand, and so I leave you. By this hand, Claudio shall render me a dear account. As you hear of me, so think of me.
In other words, remember me fondly, I might not be back. In 21st-century America we can easily underestimate the gravity of this challenge, but Beatrice and Benedick both know the drill: Benedick must either kill his best friend or be killed himself. He is as engaged as he can be (and in two senses of the word).
Madden and I talked about “Kill Claudio” in her kitchen one Friday morning during the run. She was multitasking: while her husband, James Ridge, talked with a designer in the front room—he was set to direct a play in Madison in a few months—she was making a cake for a sick friend, submitting to an interview, and fielding multiple mom calls from one of her two sons. “We never meant it to be a laugh line,” she said. Of course she had seen productions and films of the play in addition to doing it herself, but the audience reaction to the line had never made much of an impression on her. “I guess I never saw it. Never tuned into it. And David Daniel and I have been asking, do we resist that? I’m going to try something tomorrow, I think. Or I may wait till a non-Saturday to do it. Where I say ‘Kill Claudio’ a little earlier. Just to see if—but I don’t know, maybe it’s supposed to be a laugh line.”
Maybe Shakespeare did want a big laugh. Maybe he was happy to have it both ways. He’s allowed, he’s Shakespeare. In any case, over the course of the season I saw Madden try a few different things. In rehearsals she held the line off, preceding it with three deep breaths, as though steeling herself for what she was about to ask. By the time the first preview was over she knew that wasn’t working, so then she tried speeding it up. But whatever she did the line produced a big laugh. It was surefire.
For more information about the American Players Theatre, visit their website at http://americanplayers.org
The Chicago Reader article can be found at http://bit.ly/2fiOzkI
If you're interested in purchasing Much Ado, please visit http://www.agatepublishing.com/titles/much-ado
Jack Ma is not your average business leader. He started his first Internet company with no knowledge of computer coding. Now, he runs a multi-billion dollar business that in 2014 conducted more online transactions than Amazon and eBay combined. Despite his substantial influence in China, and a net worth estimated to be north of $21 billion, Ma’s remarkable story is generally unknown to the American public.
In Never Give Up: Jack Ma In His Own Words, Suk Lee and Bob Song have collected Ma’s thoughts on business, leadership, innovation, and much more. To celebrate the book’s publication, we are sharing a Q&A with the editors.
What business insight will readers learn from Jack Ma that they won’t hear from any other business leader?
Jack is a successful Chinese entrepreneur and he changed the e-commerce world in China. Before Alibaba, Chinese small- and medium-business owners were limited in their ability to connect and sell to other businesses and consumers. Jack has enabled millions of people worldwide to conduct e-commerce with each other, whether it’s business-to-business or business-to-customer transactions. Also, Chinese culture and values gave Jack Ma a different perspective and insight on business. For example, the following quote tells the readers about Jack’s tai chi philosophy:
“I love tai chi. Tai chi is a philosophy. [It’s] about yin and yang. Tai chi is about how you balance . . . I use tai chi philosophy in business to calm down. There is always a way out and to keep yourself balanced. Competition is fun. Business is not like a battlefield where you die and I win. In business, even if you die, I may not win.”
—interview with Charlie Rose, World Economic Forum, January 23, 2015
We selected many great quotes that readers outside of China may have never heard or read. In fact, the business philosophy of Jack is a great combination of Chinese culture, Japanese theory, and American science. We hope to share with readers the wisdom of the East, which has thousands of years of history. Jack Ma exemplifies this wisdom through his thinking and his quotes.
Did you learn anything surprising about Jack Ma while researching this book?
Bob visited Jack’s personal club, Tai Chi Zen Institute, and met with Jack’s assistant, Mr. James Chen, on the afternoon of September 1, 2015 in Hangzhou. When Bob entered the room he saw thousands of Jack Ma’s Chinese books on the table. Bob found out that 20,000 copies were sold out in only one hour at Taobao.com, which is the biggest B2C e-commerce platform in the world. That’s when Bob realized just how influential Jack Ma was to Chinese citizens.
In researching for this book, Suk saw many videos of interviews with Jack Ma. During one interview, Jack Ma was dressed up as a drag queen, and he performed in front of his employees at one of the big Alibaba anniversaries. The performance showed that Jack Ma can make fun of himself, and she knew right away that he is not your typical CEO.
What can current and future business entrepreneurs learn from Jack Ma?
It is Jack Ma’s integral belief that clients come first, employees second, and shareholders third. In the West, it is usually the other way around. Jack says this belief should become a universal value. The Hong Kong Stock Exchange could not accept this belief. Alibaba decided to pass on the HKSE and instead listed on New York Stock Exchange in 2014. Current and future business entrepreneurs can learn about company priority from Jack Ma: clients first, employees second and shareholders last.
In 2014, Alibaba’s online transactions totaled more than those of Amazon and eBay combined. Why do you think Jack Ma’s story is relatively unknown in the United States?
In the Chinese market, we can find about 600 titles on Jack Ma. In America, we can find about 10 titles on Jack Ma. Our book, Never Give Up, is a comprehensive history of Jack Ma’s quotes from the founding of the company to now. We hope our book will give readers a better understanding of Jack Ma’s philosophy. Jack is helping millions of small-and medium-sized enterprises—including American businesses—develop business with China. In the next 20 years, China will have 300 million to 500 million middle-class citizens, which means Chinese consumers will become more important even outside China since this middle class will generate demand in every area. In the past, Alibaba has not directly impacted the lives of many American citizens. People in the United States may hear business stories about how much revenue Alibaba Group generates or how wealthy Jack Ma is, but because Alibaba is not, for example, competing directly with Amazon, Google, or eBay in the United States, they don’t think about it much. If and when Alibaba’s plans to help more and more American small businesses sell to Chinese customers start to take effect, the United States will start to better understand the power of Alibaba.
What will be readers’ greatest takeaway from Never Give Up?
The title says it all. “Never give up” is one of Jack Ma’s most famous quotes. Throughout his life, he experienced many failures and learned from them. We leave the reader with this quote:
“Five years ago, my colleagues and I wanted to create the world’s greatest company. Many thought such talk was mad. But no matter what was said, my dream to create such a company didn’t change.
In the Internet recession of 2001–02 we talked only about ‘surviving.’ Even if all the other Internet companies died, we had to survive. And we did so only by refusing to give up, by believing in our dream. This incessant effort and constant ability to learn from our mistakes led to success. While today is tough, tomorrow can be even tougher. However the day after tomorrow may be beautiful. But too many will give up after tough times on the eve of tomorrow night. Therefore, never give up today!”
—receiving Economic Person of the Year in China Award, CCTV-2, December 28, 2004
Featuring interviews with club proprietors and loyal customers, funny anecdotes, as well as beautiful full-color photography, Wisconsin Supper Clubs: Another Round is a second helping of everything that made the first Wisconsin Supper Clubs such a hit. To celebrate the book's publication, we are sharing this Q&A with the author below.
Your first book, Wisconsin Supper Clubs: An Old-Fashioned Experience, is a runaway hit. In what ways was it different to travel and research the clubs after the success of the first book? Did you approach anything differently? Did you have any encounters with fans?
Obviously the supper clubs I went to for the new book were happy to be in the second book, with some owners giving me some good-natured ribbing about not being in the first book. There were two things I did differently this time around. The first was to only visit one supper club per night. For the first book, I was on a tight deadline and would have to do two or, on the rare occasion, three supper clubs per day. This time, doing one per night meant I was there when the kitchen was active and customers were there. The second thing was that I asked the owners to invite customers, friends, and family to be at the club while I was doing the profile so they could socialize and enjoy the food. It worked out great in that I was able to get plenty of food photos and try a bit a food myself while the people that were invited got to enjoy some great meals.
Why did you decide to go back for “another round”?
I had originally wanted to visit 100 Wisconsin supper clubs for the first book, but I just didn’t have the time, so I ended up visiting 50 clubs. Once the book was released, the reaction was so terrific that I realized I needed to update my master list and visit 50 more.
Let’s say that Ron Faiola is going to open his own supper club. Where would you open it and what items would be must-haves for your menu?
I’d reopen an old supper club, maybe the former Pyramid Supper Club in Beaver Dam.
Who could resist an Egyptian-themed supper club housed in a pyramid in the middle of a cornfield? The menu would have the classic supper club dishes like prime rib, fish fry, and a relish tray with cheese and liver spreads, homemade salads, raw veggies, and ripe green olives. The olives are hard to find, but they are very tasty and unique (and available in Italian grocery stores under the Cento brand).
What is the mark of a good supper club?
A full parking lot and a two-hour wait for a table.
Why is the cocktail so synonymous with supper clubs? Do you think it has anything to do with the fact that so many clubs seemed to have been friendly with bootleggers during Prohibition?
Supper clubs as we know them today didn’t exist during Prohibition, especially in Wisconsin. They were dance halls or resorts or former taverns that served whatever was available from the bootleggers. After Prohibition ended, the food as well as the cocktails got more sophisticated, especially at supper clubs. Cocktails were a more upscale choice than the usual shot and a beer that was served at a tavern. Of course, in Wisconsin, the supper club cocktail of choice was and still is the brandy old-fashioned, which is enjoyed by both men and women.
As in your first book, this book is full of anecdotes about the history of each supper club. What is your favorite story from this round of clubs?
I love the ghost stories because I’m sort of on the fence about ghosts. I’ve never seen one, and I’ve never had a spooky encounter—yet there are lots of people that have these very detailed and very similar experiences at the supper clubs. So I’m like the Cowardly Lion in the Wizard of Oz . . . I’m all bravado until I meet up with a ghost.
This book includes a few reader polls related to traditional supper club offerings, such as relish trays (though we won’t give the results away here). What’s your favorite element of a supper club dining experience?
I enjoy walking in, sitting at the bar, relaxing with a drink, reading the menu, and deciding what to order.
You’ve now produced and directed a documentary and published two books—all about Wisconsin supper clubs. How did it all begin?
It started with the economic collapse in late 2008 and 2009. All my corporate video production work disappeared in 2009 and instead of panicking, I decided to shoot a documentary on the Wisconsin Friday night fish fry tradition. No one had done that before, and the film, Fish Fry Night Milwaukee, was immediately licensed by both Milwaukee Public Television and Wisconsin Public Television for broadcast in 2010 and beyond. During production of the fish fry movie, I was looking for a supper club fish fry to feature in the film and realized that no one had documented Wisconsin supper clubs either. That topic became my second film, which was licensed to PBS nationwide. Rick Kogan who is on WGN Radio and writes for the Chicago Tribune wrote a glowing review of the film, which led to a book deal from Doug Seibold at Agate Publishing in Evanston. I agreed to write the book, and the result was huge—both for the book and supper clubs.
This Saturday and Sunday, June 11-12, Agate will be returning to Printers Row Lit Fest, the Chicago Tribune's annual book festival, which happens to be the largest of its kind in the Midwest. Come visit the Agate staff and many of our fantastic authors in Tent BB, located on Dearborn Avenue just north of Polk Street. There will be deeply discounted prices on both new books and back-listed titles.
If you're interested in meeting any of our authors, check out the schedule of demos, talks, and book signings below.
Marilynne Robinson in conversation with Mary Schmich
Sat., 10-10:45am, Harold Washington Library Center, Cindy Pritzker Auditorium
Raymond Lambert, ALL JOKES ASIDE
Agate Tent Signing: Sat., 11am-12:00pm, Agate Publishing Tent
Freda Love Smith, RED VELVET UNDERGROUND
Agate Tent Signing: Sat., 12-1:00pm, Agate Publishing Tent
Diana Moles, Jolene Worthington, and Maureen Schulman, THE ELI'S CHEESECAKE COOKBOOK
Sat., 1:45-2:15pm, Food and Dining Stage
Agate Tent Signing: Sat., 2:30-3:00pm, Agate Publishing Tent
James P. DeWan, PREP SCHOOL
Sat., 2:30-3:15pm, Food and Dining Stage
Agate Tent Signing: Sat., 3:30-4:00pm, Agate Publishing Tent
Jocelyn Delk Adams, GRANDBABY CAKES
Sat., 3:30-4:00pm, Food and Dining Stage
Agate Tent Signing: Sat., 4:15-5:00pm, Agate Publishing Tent
Coffee with Mary Schmich and Eric Zorn
Sun., 10-11:00am, Center Stage
Chefs from the Green City Market, THE GREEN CITY MARKET COOKBOOK
Sun., 11-11:30am, Food and Dining Stage
Agate Tent Signing: Sun., 12-12:30pm, Agate Publishing Tent
Jeannie Morris, BEHIND THE SMILE
Agate Tent Signing: Sun., 11:30am-12pm, Agate Publishing Tent
JeanMarie Brownson, DINNER AT HOME
Sun., 12:45-1:30pm, Food and Dining Stage
Agate Tent Signing: Sun., 1:45-2:15pm, Agate Publishing Tent
Joan Barnes, PLAY IT FORWARD
Sun., 3:30-4:15pm, Hotel Blake, Dearborn Room
Agate Tent Signing: Sun., 4:45-5:15pm, Agate Publishing Tent